“When I’m at work on a story, I never compose paragraphically. I write stand-alone sentences. I might fixate on three or four sentences a day. I’ll enlarge them to at least twenty-six-point type on the screen. I’ll futz around in their vitals, recontour their casings, and work a kind of reverse cosmetology on them to bring out any defining defects or birthmarks or swoonworthy uglinesses and whatnot. Only much later will one such sentence overcome its aloofness or diffidence and begin to make overtures to another sentence, which might be pages and pages away in the draft. The sentences eventually band together into paragraphs. The paragraphs, to me, are nervous little cliques or sororities of like-natured outcasts who put up with each other despite the friction. There’s a lot of rubbing the wrong way and very little mating of a peaceable kind. Getting something that might pass itself off as a story out of these uneasy alliances is in fact a pretty maddening and brutal ordeal. Among my deficiencies is a freaky neurological setup that keeps me from seeing wholes. So all I can see are parts, pieces, flickery fragments. I will never be up to writing a novel. It’s all I can do to even read one.”
— oh, Gary Lutz. I love him, or his sentences, and his sad sad recurring themes, so much. But I also want to shake him. Stop putting your sentences in 26-point font, Gary. You deserve to be happy. (via meaghano)
